Spectral Press’ 2013 in review

Spectral Press logoThe genre we love so much has not been treated particularly kindly this year: the deaths of not just some of the giants of the field (Richard Matheson and James Herbert spring easily to mind in this regard) but also unsung heroes like Joel Lane, the latter leaving a particularly noticeable vacuum behind, who will be very keenly missed (he was looking forward to writing something for Spectral at some point). More than that, it’s not just the genre in general which has experienced a troubled twelve months: on a personal level it’s been a tough year too. Spectral has had to pare down its publishing schedule slightly, due to some health issues (which are now receding) and a move to new headquarters, meaning that a couple of books have either had to be rescheduled or will be appearing a little later than planned.

Be assured, however, that they will appear at some point in the future: after all, Spectral Press is a one-man operation (with a little help from the wife), and there are only 24 hours in a day. Plus, believe it or not, there is an underlying philosophy to all of this, which we hope you, as valued customers, will understand. We want to bring you the best books we can – and, to that end, we would rather a book arrive a little later than originally planned if it means that the highest quality has been attained, than just rushing for the sake of getting the book out on time. The imprint has been built upon the rock of quality, and we intend wholeheartedly to maintain that reputation. We ask, therefore, that you please bear with us in pursuing that ideal.

Whitstable cover image

However, it hasn’t all been doom and gloom: Spectral can proudly (justifiably so) point to publishing the superb Whitstable by Stephen Volk, which has gone on to become the press’ most successful book, selling over a thousand copies across all formats and receiving universal praise from readers, bloggers and reviewers alike. Spectral itself was nominated for the second year running for a British Fantasy Award (the PS Publishing Independent Press Award) and John Llewellyn Probert’s brilliant homage to the films of Vincent Price, The Nine Deaths of Dr. Valentine, was not only shortlisted for Best Novella in the BFAs but it also won the award. Additionally, at World Fantasy Con back in November, we launched two books by two very fine authors, Tim Lebbon (Still Life [novella]) and Paul Kane (Ghosts [collection]). This only goes to show that hard work pays dividends, and all this recognition of that work is most gratifyingly received and acknowledged.

"Still Life" © Tim Lebbon/Spectral Press 2013. Artwork © Jim Burns 2013

“Still Life” © Tim Lebbon/Spectral Press 2013. Artwork © Jim Burns 2013

Something which we are enormously proud of, apart from the recognition, is that Spectral launched a new side-imprint, called Spectral Screen, in December 2013, devoted entirely to genre TV and film, and we welcomed a new editor to oversee it, Tony Earnshaw. It was launched with The Christmas Ghost Stories of Lawrence Gordon Clark, the director who introduced the annual seventies tradition of the BBC’s A Ghost Story for Christmas strand, broadcast in December every year between 1971 and 1978. The man is a true gentleman, who was rescued from undeserved obscurity by the editor of the book (Spectral Screen General Editor Tony Earnshaw), and brought into the limelight once again in front of many ardent fans of his work. The icing on the cake, however, is the fact that Gordon Clark fan Mark Gatiss, of Sherlock and League of Gentlemen fame (and who also directed this year’s A Ghost Story for Christmas production, The Tractate Middoth), agreed to write a short Foreword for the book.

"The Christmas Ghost Stories of Lawrence Gordon Clark", Cover image ©  1971 - 2013 Graham Morris. Design by John Oakey.

“The Christmas Ghost Stories of Lawrence Gordon Clark”, Cover image © 1971 – 2013 Graham Morris. Design by John Oakey.

So, what’s coming from Spectral in 2014? More chapbooks by the likes of Angela Slatter, Robert Shearman, Lisa L. Hannett and Stephen Bacon (plus the rescheduled one by Simon Bestwick), novellas by Cate Gardner and John Llewellyn Probert (the latter a sequel to The Nine Deaths of Dr. Valentine), a novellette from Ray Cluley (Within the Wind, Beneath the Snow), the Christmas Ghost story anthology, a reprint of Johnny Mains’ award-winning compilation book of stories from the (in)famous Pan Book of Horror StoriesBack from the Dead in paperback, and possibly a surprise book or two. The Christmas Ghost Stories of Lawrence Gordon Clark will also be issued in hardback in January. 

Terror by Night - cover for Johnny Main's "Back From the Dead". Artwork © 1974/2013 Les Edwards.

Terror by Night – cover for Johnny Main’s “Back From the Dead”. Artwork © 1974/2013 Les Edwards.

We here at Spectral are particularly looking forward to the move from Spectral Towers to Château Spectrale in the grounds of the new Marshall-Jones Mansion.This will be a new start in a new place, and we will endeavour to produce even better books for your reading pleasure. As we enter our FOURTH year of operation, both Simon and Lizzie are justifiably proud of the achievements the imprint has garnered in such a short time, and so we are going to step things up a gear. A reputation for quality, once gained, must be maintained and pushed forward. THAT is our goal for 2014, and we sincerely hope that you will be around to share it with us!

We cannot end this little missive with something heartwarming: let it be known that Spectral authors SIMON BESTWICK and CATE GARDNER announced their engagement yesterday – so, from us here at Spectral Towers, a hearty congratulations and best wishes for the year ahead.  Finally, may we wish ALL our readers, subscribers, writers and artists a


See you next year – onwards and upwards!

Spectral Press: 2012 retrospective

Spectral Press logoIt’s hard to know where to start when it comes to describing the year Spectral has had. 2011, the imprint’s very first year, was great in itself, and we here at Spectral Towers couldn’t have foreseen how the press would have been taken to the hearts of genre and book lovers everywhere around the globe. Spectral received kudos from writers, readers and bloggers, we gained a few accolades here and there, even making one magazine’s Publisher of the Year. This had gone better than our wildest imaginations had dared to venture.

As you can imagine, we thought that topping 2011’s success was going to be difficult but, if there’s one thing that Spectral isn’t afraid of, it’s commitment. We were determined to do better, to keep publishing great literature, and to developing Spectral into something special. And, judging by the twelve months we’ve just had, it would appear that we have exceeded expectations again.

The second year of a project is often the most difficult – a reputation has been established and standards have been set, both of which have to be fulfilled and maintained at the very least or, as is preferable, bettered in some way. Our unspoken manifesto at the very beginning was simple – to bring quality short stories in the ghostly/supernatural vein to discerning readers, and present them to a high physical and literary standard. That, we like to think, we’ve managed to continue with our acclaimed line of chapbooks, this year publishing fiction by the World Fantasy Award-nominated Simon Kurt Unsworth (Rough Music), as well as Alison Littlewood (The Eyes of Water), Mark West (What Gets Left Behind) and relative newcomer David Tallerman (the latter winning the Spectral Press/This Is Horror short story writing competition earlier in the year with The Way of the Leaves).  Neil Williams, the wizard of photo manipulation, continued to shine in the cover artwork department, thereby consolidating the look of the Spectral ‘brand’ (if we can call it that without sounding pretentious) and Mark West helping everything along with his short promotional videos. Reviews for all have been very positive, solidifying Spectral’s position as an imprint to watch.

Spectral Press also expanded a little this year by introducing a new line of publications, the Spectral Visions series of novellas, starting with Gary Fry’s The Respectable Face of Tyranny in May and followed, in September, by the larger than life John Llewellyn Probert’s The Nine Deaths of Dr. Valentine. Both of these books were wrapped in gorgeous covers – by Neil Williams (based on a photograph by Philip Haigh) and JD Busch respectively – and received goodly amounts of praise, both in terms of the stories and the presentation. On top of that, this December saw Spectral publish its first ever anthology, The 13 Ghosts of Christmas, which is our small attempt to revive an old Victorian/Edwardian midwinter tradition. Again, this has received a warm welcome from bloggers and reviewers alike, making a good start to this projected annual series of spooky midwinter/Yule/Christmas collections.

On the accolades front, one of last year’s chapbook tales, King Death by Paul Finch, was republished in Paula Guran’s The Year’s Best Dark Fantasy & Horror: 2012 anthology. Paul’s chapbook was also nominated in the British Fantasy Awards in the Short Fiction category. In the same Awards, Spectral Press was nominated for the PS Publishing Independent Press Award – even though we didn’t win, the nomination validated all the hard work that had been put into the imprint over the previous year. Getting nominated for the first year of its career is something of an achievement in itself, another facet which has helped cement its growing reputation with not just the book-buying public but also the writers whose works we want to feature in future publications.

Others have also cited Spectral books in their end of year assessments, people like Anthony Watson, Mark West, and the This Is Horror Awards (in which several Spectral publications have been nominated again this year): Gef Fox of the Wag the Fox blog named What Gets Left Behind as being one of his novels/novellas of the year: and Jim McLeod’s Ginger Nuts of Horror blog named Spectral as its Publisher of the Year. The Nine Deaths of Dr. Valentine seems to be a favourite amongst more than a few people, closely followed by Mark West’s What Gets Left Behind. Famed anthologist Ellen Datlow recommended Alison Littlewood’s Mexico-set chapbook The Eyes of Water for next year’s Bram Stoker Awards, plus Ellen said a few nice things about Spectral in her latest annual The Best Horror of the Year volume. Stephen Jones, another famed editor/anthologist, also said nice things about the imprint in The Mammoth Book of Best New Horror.

And so, we look forward to 2013 – a year which promises to be even better than this past twelvemonth. There will be novellas from Stephen (Ghostwatch) Volk and Tim Lebbon, chapbooks from Paul Kane (who will also have a collection of his supernatural/ghost fiction out at the end of the year), Terry Grimwood, Simon Bestwick and British Fantasy Award-winner Angela Slatter, plus the first collected chapbook volume (with new material included) in the summer and, of course, the 2013 edition of the Christmas Annual plus a special illustrated hardback edition of Paul Finch’s novella Sparrowhawk. However, a good publisher doesn’t stand still – I have already started planning 2014’s publications, one of which will be a novella from one of Britain’s finest writers working today, Conrad Williams.

From the above that there was much to celebrate in 2012 – and we here at Spectral Press will be working even harder in 2013 to better the last year in every way possible. Two years ago, we could never have envisaged the kind of impact that the imprint would have, nevertheless there is still much to do to get it to where we would like it to be. We thank all those who have been with us so far, and we further hope that you will be able to come along with us on our third year of publication.

All it remains for us to do is to wish everyone a Prosperous and Productive 2013!! Onwards and upwards, as we are wont to say….

Spectral news 21:05:2012

Spectral Press logoTo start the week off on some positive notes we thought we’d talk about some things going on in the world of Spectral. First, Alison Littlewood’s chapbook The Eyes of Water will be available within the next two to three weeks.  It’s a fantastic little tale, inspired by a trip to Mexico and a visit to the cenotés of the Yucatán. These flooded cave systems are as dangerous as they are beautiful, as Rick is about to discover…

Secondly, the cover to John Llewellyn Probert’s magnum opus, The Nine Deaths of Dr. Valentine, is currently being put together by JD Busch – preliminary sketches should be with us soon and then will come the exciting process of turning it into a fabulous cover image. We can’t wait to see what JD comes up with, but his ideas so far are definitely in tune with what we had in mind.

There’s been another quotable quote sent to us for Gary Fry’s The Respectable Face of Tyranny novella, this time from Laird Barron, author of The Croning, who said of it:

The Respectable Face of Tyranny is a bleak tale of personal hell set against a canvas of cosmic horror. In revealing the machinery that powers modern civilization, [Gary] Fry’s gaze is pitiless. Almost as pitiless as the dark forces that feed upon hapless humankind.”

There’s also a new Amazon review of the novella courtesy of Gef Fox (Wag The Fox), which you can find here.

Onto other stuff:

In the New Year (yes, we plan that far ahead), the print run of each chapbook will increase to 125 to allow more people to acquaint themselves with both the chapbooks and the imprint, as well as get to know the work of some of the best authors out there. However, subscriptions to the chapbooks will be increasing in January, too, due to increased postage costs: they are still available at the old price, from Volume VIII onwards, until the end of this year – so take advantage by ordering a subscription now to save some money before the price rise (includes resubscribers).

A word about the future: we here at Spectral Towers are mooting the possibility of increasing the number of chapbook issues to six per year, ie from quarterly to one every two months. This is JUST a possibility at present and an idea we’re throwing around: one of the reasons we’re thinking this way, however, is the fact that we have many wonderful authors lined up to appear in chapbooks and this would be one way of reducing the waiting time for them. We are envisaging, however, that it won’t be happening before the March 2014 issue, Volume XIII, at the earliest. Comments are more than welcome upon the subject – nay, are actively encouraged.

There are a couple of other exciting developments in the initial planning stages, but we’re keeping those under wraps for later in the year until we’ve fleshed them out more fully. We here at Spectral are confident that the imprint has a good future ahead of it, and we certainly intend on keeping moving forward, albeit at a comfortable pace and without overstretching things. We sincerely hope that you’ll be here to share that future with us.

Spectral chapbooks: the future

This week, much of my time (apart from preparing Paul Finch’s King Death for publication) has been spent in pondering the future direction of the Spectral chapbook editions. I mooted some ideas in the two previous blogposts on how I should proceed regarding edition numbers ie, should I keep them as they are or should I increase them? I asked for feedback from subscribers, readers and others as to what they would like to see – many did contact me, and gave me a good deal to think about.

And so, I’ve come to a decision: the numbers will remain as they are currently, in other words, the edition of 100 limited signed and numbered copies will stand as is. However, every two (or maybe three) years there will be a ‘collected’ edition with all the stories in it PLUS, I hope, some new content as well from the authors featured. This will take the form of a paperback and e-book, at least that’s the plan at the moment. The usual quality and production values people have come to expect from Spectral will be in evidence, of course, no question of it being otherwise. I am looking at publishing the very first of these ‘annuals’ in the summer of 2013 or thereabouts…

As always, feedback is always welcome (in fact, it’s positively encouraged), either here, or on the Spectral Facebook page or directly to me at spectralpress[AT]gmail[DOT]com. Any thoughts on this, or other ideas, would be gratefully received – plus, you can always subscribe to a year’s worth of chapbooks at the same time if you feel so inclined, as it’s the one way to guarantee that you’ll get copies of each and every one of them… =)

Another Spectral chapbook option…

Yesterday, I discussed three options with regard to expanding (or not) the print numbers of the limited signed and numbered chapbook runs (see previous blog). There is actually one further option I neglected to mention, which is:

4) Keep the print run as is (ie. 100 copies only) but, every two years, produce an unlimited collected paperback and e-book version. As an added incentive I am looking to include new stories from some of the authors if they’re willing to contribute one.

Option #3 was the one that garnered most favour with those who sent me feedback, which was a route that I was considering myself. However, one correspondent raised the question, with regards to e-book versions, of piracy and the uploading of them onto torrent sites, which is an ever-present threat in our electronically-connected world. I realise that it’s almost inevitable that this will happen regardless, but any measures I can take to minimise the chances of it occurring will be taken. I am of the mind that I will definitely do a paperback collection at the end of two years (yes, people can pirate those too, but there’s a great deal more effort involved). Of course, ultimately it’ll be a matter of weighing up the risks involved, how much something like that would impact on sales, etc, considering that my outfit is, at present, the smallest of the small independent presses and any loss of revenue will hurt.

There WILL be something beyond the chapbooks forthcoming, of that there’s no doubt. It’s now just a matter of deciding what format that something will take. Once again, I will be grateful for any advice and feedback that people out there care to send my way – leave a comment here, or on the Facebook Spectral page, or by sending me an email at spectralpress[AT]gmail[DOT]com.

Looking foward to hearing from you guys!

Spectral chapbooks: the options

A week ago, I ruminated on the dilemma I face as a result of the chapbooks that Spectral publishes taking off in a way I hadn’t expected ( which is a good thing!). The problem I face is simply stated: given that I sell out of each chapbook fairly quickly, should I up the print run or should I keep it as it is? I asked for feedback from readers and other interested parties, and I did indeed get quite a bit, all of which was useful. My thanks to all those who took the time to do so.

My options are these:

1) To keep the numbers limited to 100 – as was pointed out, there is something quite nice about that number and, certainly from my point of view, it’s a comfortable number of copies for me to sell. Plus, I have to consider the authors themselves – slaving away over a hot pen signing all 100 signature sheets!! This was a popular option when it came to feedback.

2) Increasing the print run slightly, to something like 125. Which means more money coming in, for future projects perhaps, but concomitantly lessens the ‘exclusivity’ factor of the chapbooks themselves. Somehow I’m not all that keen on pursuing this one.

3) Keep the physical signed and numbered copies to 100, but release an e-book version roughly a month later, with perhaps an added extra to make it worthwhile (or perhaps, the added extra printed in the physical copy instead, as that is, in essence, premium content). This is the option I particularly favour, as it allows people to ‘collect’ the chapbooks if they wish to do so whilst ensuring that others, who just want to read the story for instance, can also do that. Of course, this means that it won’t be signed or numbered, ie be unlimited. The e-book version might have some other distinguishing characteristic to mark it out with. Of course, I would have to discuss it with the authors in question as to whether they would be willing to go down this route.

4) A variant of #3 would be to go the audiobook route – release the physical chapbook and then follow it at some point with an audio version, perhaps read by the author him/herself. The one factor that could mitigate against this option is simply cost – recording audiobooks is expensive and Spectral doesn’t possess those kind of resources just yet. However, having said that, it’s something I would definitely like to keep in mind as a future possibility.

So those are the current ideas floating about – as with last week, I would very much appreciate any feedback as to what readers and others think of them, and whether there are still other options I haven’t considered. You can either leave a comment here, or on Facebook, or send directly to me at spectralpress[AT]gmail[DOT]com. Whichever way you choose to communicate, I would be very pleased to hear from you!!

Musings on a Monday morning….

As you all know, the Spectral chapbooks are strictly limited to 100 signed and numbered copies. The reason for this was and still is simply financial, as the imprint was created from practically nothing and, in all honesty, I never imagined that things would take off for Spectral in the way they have. My initial ambition for my publishing venture was to build up a reputation, slowly and carefully, and to expand operations equally slowly. I offered subscriptions so that readers could be sure that they would get each and every chapbook that I published if they so wished, without having to pay every quarter. I also reckoned that sales would be something like 70 subscriptions/30 individual and that 100% subs would be unachievable. I envisaged keeping the edition number to 100 for the foreseeable future, because I KNEW I could sell close to 100 but was unsure as to whether I could sell more.

It’s now got to that point where I may have to rethink things. Subscriptions stand at close to 80, with a promise of a few more to come, leaving my stock of individual copies at, for the sake of argument, around fifteen or so. One hundred percent subscriptions doesn’t seem so fanciful any longer. Each of the authors I publish can definitely sell more than 15 copies over and above the subscription numbers, so my dilemma is: do I up the print run, or do I keep it as it is? Whilst having an extra 20 – 30 unsold copies hanging about isn’t going to be much of a problem, as I can always take them to somewhere like FantasyCon or similar (and I think that might have been a drawback for me at THIS year’s FCon, not having any copies to sell), I also have to judge just how many more copies I can print before it becomes unviable.

I am loath to over-stretch myself, certainly at this stage of the imprint’s career. It’s doing very well right now, has made a small impact on the ‘scene’ and continues to garner positive press. I have plans for the future, which include novellas and single-author story collections, which makes me want to tread very carefully in these initial stages. Neither, however, do I want to miss an opportunity of expanding and gaining a little more capital to invest in new publishing projects. The next few months are going to be taken up with a great deal of ruminating and discussing various options with people whose opinion I value highly and who have a little more experience in these matters. Customer feedback is also very important, so I encourage everyone to comment on this, either here or by emailing spectralpress[AT]gmail[DOT]com. Even if I DO decide to increase the edition run, it will only be to something like 120 -125 and no more.

Like I intimated above, the success of Spectral is unexpected. It is also very welcome. I need to proceed slowly, but not so slowly that I am practically standing still. In that light, all comments will be gratefully received and very welcome!!

Thank you!

A mini Abolisher review and some major news…

First up, on this I-can’t-decide-whether-to-be-sunny-or-cloudy early September Monday morning, is a mini-mini review of Gary Fry’s Abolisher of Roses from Australia’s premier writer of the fantastique, Angela Slatter – you can read it here!

Next up is some major news, at least from my perspective. Up until now, Spectral Press has been run more or less as a ‘hobby’, as it isn’t my primary source of income. From January next year, however, I am considering putting the imprint on something of a more professional footing, alongside the freelance editing.

At the moment, I don’t make much money from Spectral, with a profit per year in the hundreds not thousands, and I’m not envisaging that it ever will bring in any substantial returns: nevertheless, I feel that, judging by the success and the reputation that it’s garnered already in such a short time, it might be worth exploring this option. I am certainly planning on expanding the imprint at some point, with new lines of books such as novellas (Spectral Visions) and the Spectral Signature Editions, as well as the possibility of audiobooks and eBooks, too.

The last thing I want Spectral Press to do is to stand still, but neither do I want to overextend myself too soon. All this expansion will be gradual – any new lines will be introduced once every one or two years. There is most definitely a bright future for the imprint, I have big ambitions for it and therefore I want to grab every opportunity that comes my way in connection with it. I want to build Spectral into something worthwhile, an entity that will become a permanent fixture within the genre community and a name that will be synonymous with quality and be respected for what it’s trying to achieve.

No doubt I can do all that even if I kept it as nothing more than a ‘hobby’ but I am of the opinion that the imprint and the aims I have for it will be taken more seriously if I approach everything from a professional angle. Please note, however, that this is only being mooted as a possibility at present – it might be that I WILL go professional, so to speak, but in a couple of years’ time instead. It really is a matter of exploring my options, of which there appear to be many.

But, whatever is decided, Spectral Press has a very bright future ahead of it!!

(And, on another note, this is Spectral’s 100th post…)

Subscriptions update and other news

Subscriptions are still available BUT there are only 28 places left, and will now start from Spectral Volume III, Cate Gardner’s surreal Nowhere Hall, due out in September of this year. However, I am considering plans to either extend the print runs should all places be filled OR, as is more likely, find some other way to make the stories available without compromising the exclusivity of the chapbooks themselves. This won’t happen until next year at the earliest, so there will be plenty of time to work something out. Of course, I will be consulting with the individual authors as well on this and there will be an announcement here in due course when it’s been decided.

Anyway, yearly subscriptions (4 issues) are available for £13.50UK/£16EU/$30US/$40RoW – there are convenient Paypal buttons for ordering subs on the home page of this site. There are some exciting authors and brilliant stories coming up over the next twelve months, so subscribing is the best way NOT to miss out on any of them!!

In other news, next on the agenda is a possibility of specially-made binders to keep all your chapbooks pristine and undamaged. Still mulling this one over and doing some research – more news when I have a better idea of costs and all that.

On the publishing front, there will be some major developments that I will be announcing in about two weeks’ time – but it could be the next step for Spectral Press. Again, watch out for news in a fortnight or so.

That’s all for now, except to say that numbers of copies of Gary McMahon’s fantastic What They Hear in the Dark are dwindling quickly – if you haven’t got one yet, I suggest you ACT FAST!

Spectral progress report…

Just a quick blog today,. to let y’all know the state of play on how the first Spectral chapbook is coming on. I have just returned from the printers and it’s all looking mighty grand, the signature sheets will be ready by Monday morning and then I can send them on to Gary to number and sign. As soon as they arrive back on my doorstep,  they will go back to the printer’s, and then all the fun of collating and stapling begins for them.

They handily printed up a ‘mock’ of the text and I am happy to report that it meets all expectations and then some – everything was crisply reproduced and very clear. The cover also looks great, too – the people I am using have obviously taken extreme care with it all and to very exacting standards. I shall definitely be using them again.

Quite frankly, it’s absolutely amazing how fast this has all come together. It’s just less than two and a half months since I found myself toying with the idea after being inspired by FCon 2010, and both Nightjar and Tartarus Presses, and then thinking that FCon 2011 would be the ideal launch venue to kick things off in. However, with all the authors I asked agreeing to sign on and then, after I opened the doors to subscriptions (26 and counting at the present time), the brilliant response to it, it’s meant that I can start a lot earlier than anticipated. So, instead of having to wait until September 2011, subscribers and readers will only have to wait about a month.

2011 and Spectral Press have enormous potential between them. I have further plans, as some of you know, and ideas are constantly brewing in my head. I have a few authors in mind that I would absolutely love to feature in the line-up, but that depends on a few factors that I am unable to fulfill at the present time. But I sincerely hope that that won’t always be the case and that at least some of the writers I want to appear will consent to write something for Spectral.

Now, one of the plans I have is that, every couple of years, I will hold an open competition asking for submissions and then maybe getting some of the Spectral authors already published to adjudicate if they have time. The prize will be a chapbook publication. The aim would be to give some newer writers a chance to get their work published. Necessarily, the same high Spectral standards will apply when it comes to choosing the winning story.

Further down the line, there’s the possibility of expanding slightly and possibly publishing very limited novellas in hardback – that one was inspired by ChiZine Publications’ production of Tim Lebbon’s The Thief of Broken Toys. That book showed exactly what is possible, even in a compact format. The possibilities are endless, I feel.

Anyway, the upshot of all this is that everything is going to plan and very smoothly so. Subscribers can expect their copies of What They Hear in the Dark by Gary McMahon to be with them in early January. I am just looking forward to seeing it all come together.